Do any of you know who my favorite musician is? [As Tony Montana] “Say hello to my lil friend! Most musicians don’t have the guts to be who they wanna be…play what they wanna play.” Then there’s Jerry. But there’s so few of them guys that there’s only one. [Brooklynite] “So that’s why I like music, you know. But the guys in the movie business are the guys who fly straight. Okay, here’s the story. I come from the guttah. I know that. But I got an education & that’s okay. And I know the street & I’m making all the right connections. I got the right woman, so there’s no stopping me. If I wanted to, I coulda gone straight to the top. But me: I always tell the truth; even when I lie. My father: He was, uh, from the gutter too. Just like me, ya know? We used to watch sports together, especially da Yankees. He was a big Yankee fan. I’d like ‘em too, but I don’t pay attention ta sports too much. But Mom: She knew! Uh, she used to make me study movies wid ‘er. I learned. We watch guys like Humphrey Bogart, James Cagney. They, they teached me to talk the street. I like doze guys. I always knew one day I’m comin’ here to talk about movies. My old boss – really old & mean as a river rat – Linda Big Stuff, she axed me, [Wicked Witch of the West] ‘Is this it? That’s what it’s all about to you? Eating, drinking, screwing, talking?’ Fuggetaboutit! I’m 57. I got a bag for a belly. I got tits. I need a bra. Dey got hairs on ‘em. I got liver spots. I eat crap all day like one of dem rich freakin’ dummy celebrities in Miami. Ain’t it great, man? Hey, every day above ground is a good day. And someday, I plan to spend my remaining days above ground in New Smyrna Beach FL with my big, hairy tits hanging out. Pelican, fly! Come on, pelican!”
As the quote by Jerry suggests, people are inherently afraid of those from other countries – always have been & perhaps always will. Tony Montana (Al Pacino), Brian DePalma’s Scarface (a word never uttered in the film), is the paradigm for why. He came from the streets too, the streets of Cuba, where he was a seasoned criminal before ever setting foot on one of the ships headed to Miami carrying 125000 refugees – 1/5 of whom had criminal records. When he gets to Miami, he & his best friend Manny (Steven Bauer) are sent to a refugee camp where their felonious natures escalate. Soon Tony & Manny are deeply involved with South Florida’s organized crime syndicate and begin working for the brutal drug lord Frank Lopez (Robert Loggia). F. Murray Abraham, who plays Lopez’s right-hand man Omar, found out he got the part of Salieri in Miloš Forman’s Amadeus while Scarface was in production. Before receiving that news, he was treated as an also-ran by the crew. The notoriety of playing the co-lead role in a Forman film changed that instantly & forever. Michelle Pfeiffer plays Frank’s girlfriend, Elvira, and Mary Elizabeth Mastrantonio is Tony’s sister, Gina. The screenplay was written by none other than Oliver Stone, who was addicted to cocaine at the time.
Scarface received 3 Golden Globe nominations: Pacino for Best Actor in a Drama; Bauer for Best Supporting Actor; and Giorgio Moroder for Best Score. Mororder, a 3-time 3 Oscar Winner, was the first to restore Fritz Lang’s 1927 silent masterpiece Metropolis. He simultaneously composed a new score for it. Metropolis is a Utopian city for the rich who inhabit it, but dystopian for the proletariat who live beneath it & keep it running. Moroder’s version was released, fittingly, in 1984. Many scores have been written for it since, most recently by the Caspervek Trio in 2014. The Alloy Orchestra have 4 different scores that they’ve performed live accompanying the film since 2010. The Alloys are a 3-piece ensemble who use keyboards, strings, drums & stuff to make the music & sound effects fitting the action (e.g., a saw creates the sound of a door opening). I saw Metropolis with the Alloys at Real Art Ways (or RAW), Hartford on 3/19/11, before Executive Director Will K. Wilkins changed policy direction, eliminating classic film to re-focus only on new art, irrespective of quality, seemingly targeting mainly the LBGT community. But if you don’t respect for the past, how can you expect to to take steps toward the future? But in 2011, Real Art Ways was fantastic. And that screening of Metropolis backed by the Alloy Orchestra was one of the finest evenings of art I had the privilege to attend that year. The film, my favorite of the decade, was Kurt Vonnegut’s main inspiration for his first novel, Player Piano. No copies of the original 153 minute version remain and the Alloy’s 148 minute versions are copyrighted, but Moroder’s 83 minute and a 148 minute version with a different score are on YouTube and Netflix. Okay, say hello to Moroder’s score & watch the trailer below, then update your Netflix DVD or Blu-ray Queue or visit HBO GO to stream Brian DePalma’s Scarface. 4 Stars!
I brought a fruit salad & some water for you all while you read the Blog today.
Okay, let me just install this water in the dispenser. “I got it. I got it. I got it. I ain’t got it.” “When I ring the bell, you are tardy! And those who are tardy do not get fruit cup! Okay, come up & get your fruit cup & water.
You’re probably thinkin’, [feminine] ‘You’re so strict, Professor!’ I’m strict, but fair! And, as you can see, I did work long & hard on this speech!” As Mel Brooks’ High Anxiety opens, a plane is landing & Dr. Richard H. Thorndyke (Brooks) is petrified. I’m not an aerophobe, but I can relate. I hate flying. The only good thing about it is getting there fast. I particularly hate the post-9/11/01 airport security process. A couple of years ago, my wife Cindy & I were flying to New Smyrna Beach FL with a couple carry-ons each. She went first & made it thru fine. My laptop was A-OK but then when they screened my backpack, am alarm went off and, already a nervous wreck, I turned to Cindy & said, [Jewish] “‘What is this, a game show? What did I win, a Pinto?’ as a TSA agent asked, [baritone]‘Whose bag is this?’ I raised my hand & he said, ‘Follow me! I’m sorry sir, we’re going to have to search you & your bag.’. ‘Please sir, what did I do? What did I do? What’s my crime?’ ‘You beeped.’ ‘I beeped! I beeped! Take me away! Take me to Alcatraz! Put me in irons! I beeped! The mad beeper is loose! Take away the beeper! Take me away!’” It turned out that my kids had a party at our house while we were out the Saturday night before, and one of their friends left some cans of Busch Beers in the fridge. I took a few to the movies the night before, drank all but one & forgot to empty the backpack before leaving for Bradley. When he discovered the offending item, he said smiling, ‘Mr. Marino, life is too short to drink crappy beer.’, and I was on my way fully aware of my need for more of this ===> .
Alfred Hitchcock often utilized the potential danger in various modes of travel as a plot ploy, and Mel Brooks’ captures the idea perfectly as double Golden Globe Nominee High Anxiety begins. Dr. Thorndyke is the new head of [Dr. Colburn] The Psycho-Neurotic Institute for the Very VERY Nervous. Dr. Charles Montague (Harvey Korman) is angry that he didn’t get the post when the previous head suddenly died of a coronary. Nurse Diesel (Cloris Leachman) , undoubtedly a parody of Nurse Ratched from Miloš Forman’s One Flew Over the Cuckoo’s Nest , really runs the Institute. Thorndyke immediately notices the suspicious goings on there . There are many great comic performances in the picture, including: Ron Carey as Thorndyke’s assistant, Brophy ; Howard Morris as the Dr. Sigmund Freud character , Professor Lilolman ; Madeline Kahn as Thorndyke’s love interest, Victoria ; and Brooks’ 3 co-writers all appear in the film, as does Charlie Callas in a cameo as Cocker Spaniel .
Hitchcock perfected the MacGuffin, a plot ploy used to move the characters along in the story. MacGuffins seem important, but aren’t. The best way to know if something is a MacGuffin is to substitute the word & see if anything changes. For instance, in Psycho , Marion (Janet Leigh) steals $40000 & flees Phoenix where she meets Norman (Anthony Perkins) & her demise at the Bates Motel . But if she stole a MacGuffin instead, wouldn’t her fate have been the same? Watch the trailer at the bottom of the Blog, then add the film to your Netflix Queue. As you watch the film, you can use the table just above the trailer to see where MacGuffin & the other Hitchcock references mentioned in High Anxiety can be found: It’s the most comprehensive list I’ve seen documented anywhere. Not to sound like The Man Who Knew Too Much, but my Suspicion is that my Blog readers know I’m Notorious for film analysis so Rich and Strange that if I was anyone else, even if I was Young and Innocent, Under Capricorn and beyond a Shadow of a Doubt it’d give me Stage Fright, make me Spellbound, cause Vertigo, send me into a Frenzy, and drive me Psycho. If I’m wrong, you can take me Downhill The 39 Steps, throw me out the Rear Window hanging from a Rope until The Birds peck at me, leaving nothing for the Family Plot. And now, even if you’re a Secret Agent, I’m The Wrong Man to Blackmail, I Confess, Bon Voyage, <=== The Lady Vanishes ===> , leaving my tribute to Mel Brooks’ tribute to The Master of Suspense, Alfred Hitchcock: High Anxiety! 4 Stars!
Music is like no other art form. For those of us of a certain mentality, it can drive you crazy; manifesting in a love for the form in general and The Golden Road to Unlimited Devotion for a particular artist long after death. And I mean your own, not theirs. Mozart comes to mind. Elvis, of course. I love ‘em both. But it’s Jerry Garcia that “rocks my soul”. “When you’ve heard him on record, really there, that’s nothing until you’ve heard the live performances. I remember the first time I saw him live, with the Grateful Dead on 4/23/77 – Springfield Civic Center. He walked out on stage & that’s all it took for me. Ya know, I was a fan immediately. Before…I had heard a lot about him, said, ‘Ya sure. Nobody, NOBODY is that good!’. Well, he’s that good. He’s…um…the original creator of this style – what people call jam bands, a term I take exception to. Well not the original creator, but blended it & put it together in a way that it stayed. And…when he did this, he created something that nobody [laugh-talking] knew where it was gonna stop. A Jerryhead is more than just a follower. It just…somebody that cares enough that they devote a good part of their life to him. I collect every show I can get on CD. I’ve got 100’s of dollars worth of CD books of these shows, taken up in the house anywhere I can get ‘em. And Jerry was very patient with his fans. He really liked them. He loved them”, just like Elvis did his. And as you watch Elvis: That’s the Way It Is, you’ll see this come thru loud & clear! Jerry, by the way, was a huge fan of Elvis’: He covered Mystery Train
and That’s All Right Mama
with the Grateful Dead and his side projects; Run Tutt, Elvis’ drummer, played in Jerry’s solo bands from ’75-‘77;
and Grateful Dead and Jerry Band backup vocalist, Donna Jean Godchaux (née Thatcher), was on the From Elvis in Memphis LP as well as Suspicious Minds which was originally released as a single.
That’s the Way It Is, which reached #22 on the Variety National Box Office Survey in 1970, documents Elvis’ return to touring after 12 years. In reality, it wasn’t much of a tour. He played the Elvis Summer Festival from 8/10/70 thru 9/7/70 at the International Hotel’s Showroom Internationale in Vegas, then toured for a week. Elvis’ longtime manager, Col. Tom Parker, is credited as Technical Adviser. He wanted the project to be a closed circuit broadcast of one of the shows, but it was not to be. It was an MGM release, and they did all the filming & called the shots. The studio rehearsals are at MGM Studios in Culver City CA and RCA Studios, Hollywood. The live segments are all from Vegas – opening night and Evening & Midnight performances the next 3 nights. During the opening sequence, a live performance of Mystery Train/Tiger Man, there’s a fan-made sign hung indicating the show is from 9/9/70 – AZ Coliseum, Phoenix, but it’s not. That was the only show of the tour in Phoenix & the tune wasn’t played there. It’s masterfully edited to give the impression that the documentary is of the tour. Film Editing is part of post-production, meaning it takes place after filming is completed. It’s the art of sequencing footage according to the director’s instructions. In 1970, editing was done by splicing sections of film together. Now it’s done digitally. Film Editor Henry Berman combines concert footage, interviews, fans comments, the International Hotel’s Press Conference & such brilliantly in this great documentary of The Return of The King, Denis Sanders’ Elvis: That’s the Way It Is. Unfortunately, this is not available for free but can be rented from Amazon Video for $2.99. So watch the trailer below then head over to Amazon to see the full movie. [Elvis] “Thank you. Thank you very much”. 3 Stars!
Some of you know how much I love Jerry Garcia, right? So I’m gonna tell ya a story. Back in ’85, my wife Cindy & I, and my brother Mike & sister-in-law, Karen, decided to spend 4th of July week in D.C. when we found out the Grateful Dead were going to be at the Merriweather Post Pavilion, Columbia MD (what we called Jerryweather) on 7/1 at 6 pm. We left that day at 7 in the morning expecting to make the show, no sweat. Traffic had other ideas so when we got to Columbia, we stopped for dinner at the Holiday Inn and decided to cancel our room in D.C. & stay there for the night. We went up to the woman at the front desk dressed like…um…hippies to book the room. She told us they were completely booked, which made no sense since there were hardly any cars in the parking lot, so Mikey went to the phone booth, called 1(800)HOLIDAY, and booked a room on his American Express Gold Card – those were rare back then! Then he returned to the front desk & laced into her. ‘Give me the keys to our room IMMEDIATELY! Here’s our Reservation #. “Don’t you think I realize what’s going on here, miss? Who do you think I am, huh? Don’t you think I know that if I was some hotshot businessman from out of town that pulled inside here, we’d be the first one to get a room & we’d be upstairs relaxing right now. But I’m not some hotshot businessman from out of town. I’m a hippie that’s in town to see the Gateful Dead. Rumor has it they’re gonna play Sittin’ on Top of the World for the first time since 5/25/72 – London, but as far as you’re concerned, the Dead can Sit on Top of the World Just As Long As We Don’t Stay in the Columbia Holiday Inn ‘Cause There’s No Hippies Allowed in Here!’ In the end, we loved the place. They had little robes with little initials of the hotel on them and when we left, to atone for their prejudice, Mikey had 4 of them in his bag.”
When Martin Brest directed (and cameo’d as Beverly Palms Hotel Checkout Clerk) the 1984 comedy Beverly Hills Cop, Eddie Murphy really was Sittin’ on Top of the World. 16 months before filming began, Playboy ran an article entitled Eddie Murphy Is on Top of the World. The movie made him even bigger. It’s the 3rd biggest box office R-Rated film ever adjusted for inflation. It was critically acclaimed as well, earning Daniel Petrie Jr. & Danilo Bach an Oscar nomination for Best Original Screenplay at the 57th Academy Awards. Murphy plays Axel Foley, a Detroit detective, quote-unquote, on vacation in Beverly Hills after his best friend Mikey (James Russo) is murdered executioner style while visiting him. His only clue is that Mikey had a stack of German Bearer Bonds that he lifted while working at a job in L.A. that their old friend Jenny (Lisa Eilbacher) got him. Axel isn’t a big hit with the Beverly Hills P.D., and is soon under surveillance by Officers Taggart (John Ashton) & Billy Rosewood (Judge Reinhold).
There have been 3 Beverly Hills Cop features in the franchise, plus a 2013 TV movie and Beverly Hills Cop 4 in development. The 3 features starred Murphy. As you know, movie franchises are very popular today but rarely go beyond 5 or 6. Such was not the case in the early days of movie-making, when live action, character-based franchises dominated the industry. There are 20 movie/short franchises of at least 25 that began before ’38, including: Over 200 for Sherlock Holmes, the most of any character, from 1916 to 2015; almost as many Dracula, the first in 1922; 35 Charlie Chan films; over 100 about Cinderella, the first in 1899; there are 17 Andy Hardy’s; plus Jesse James, Hopalong Cassidy, Frankenstein, Tarzan, and Rin Tin Tin. So watch the trailer below, then put Eddie Murphy in Martin Brest’s original Beverly Hills Cop at the top of your Netflix DVD Queue. “Heh, heh, heh!” 4 Stars!
“On 9/5/09, the Saturday before Labor Day, we had my daughter Kimmie’s High School Graduation Party in our little backyard. Our good friend Brett Connors of Flipper Dave was there. ‘Summer’s almost over, Brett.’, I told ‘im. ‘It’s sad, isn’t it? In 2 weeks it will be the Autumnal Equinox. In the Autumn, my mood is very different. Makes you want to, I don’t know, reach out & hold it back.’ ‘There’ll be other summers. How ’bout a swim? Let’s go to the Lake.’ While there he invited me to Jill & Bill’s Day Before Labor Day Party the next day.
Flipper Dave was playin’ & goofy Ralph would be sittin’ in on percussion. Well we went & when we got there, I’d never been to a place like it: Mansion on a hill; manmade lake in the backyard; screened-in pool; waiters & waitresses, butlers & maids everywhere; huge stage w/ a lighting rig & full P.A.; bars & coolers & appetizer stations; girls in bikinis; a hippie dream; oh & there was Olive. More on her later. I popped my 1st brew & got tapped on the shoulder: [Brit] ‘How do you do, Old Sport? I’m Vantine.’ I believe that very few people were actually invited to this party. They just went. They got into automobiles that bore them out to Norfolk & somehow they ended up at Bill Vantine’s door.” “Joined the comin’ par-arty” “with a simplicity of heart that was its own ticket of admission.’” That’s when Ralph happened by & introduced me to Olive, a pretty, fit, drunk platinum blonde in way too tight white spandex pants & a black spaghetti strap tank top; her bikini was soon to follow. Oh…she was also in her 70s. [Popeye] ‘This is Olivesk. She’s coo’, but a bit muchada coug’ toe or I’d marry ‘er. He-he-hoo’ “‘Rich girls don’t marry poor boys.’ ‘Olive is always here; probably been here since a party I threw in April. She’s an Oxford woman, Old Sport.’ ‘Like ‘ell she is. She wears white spandex pants!’ There was Flipper Dave’s music throughout that summer night. In his enchanted gardens, men & girls came & went like moths among the whispering & the champagne & shrimp cocktail & steaks & the stars. Almost everyone stayed the night in 1 of the 25+ rooms. We didn’t. And the gourmet delights didn’t stop us from hitting Torrington McDonald’s for Late Night Dollar Menu on the way home either.
And the great parties that The Great Vantine threw were nothin’ compared to those Jack Clayton’s The Great Gatsby (Robert Redford) had in the Summer of ’22. Jay Gatsby was a secretive multi-millionaire living in a huge coastal mansion in nouveau riche West Egg, Long Island, just across the bay from old money East Egg where Tom & Daisy Buchanan (Bruce Dern & Mia Farrow) lived. Nick Carraway (Sam Waterson), Daisy’s 2nd cousin & Tom’s Yale buddy, rented the cottage next door to Gatsby that summer.
The overriding symbol in the novel & film is the billboard advertisement for Dr. T.J. Eckleburg, Occulist. What does it represent? First, “oculist”, which is an ophthalmologist or optometrist, is spelled incorrectly. There is only one “c” in oculist. Spelled “o-c-c-u-l-i-s-t” reminds us of the occult. It’s missing just the 1st “t” for it to be occultist. Spelled with a “double c”, the word seems to mean seer. And that’s how George Wilson (Scott Wilson) sees the billboard: As the Eyes of God, overlooking the Valley of Ashes – now Flushing Meadows, but a barren, industrial dump of a wasteland in 1922. Next, the name T.J. Eckleburg reminds us of T.S. Eliot, F. Scott Fitzgerald’s contemporary & co-American ex-patriot in Paris, whose success predated Fitzgerald’s. Gatsby was published in 1925 but takes place in 1922, the year that arguably Eliot’s greatest work, the epic poem The Waste Land was released. The Waste Land is Eliot’s reflection of the cultural & physical impact that World War I had on Europe, especially France & Germany. The name “Eckleburg” seems of German heritage. The poem is 64 pages long & dedicated to Ezra Pound, the poet that helped develop & expose Eliot, whose work soon became the more important. The dedication is for “Ezra Pound, il miglior fabbro”, “the better blacksmith” or “craftsman”, because he helped edit the poem down to the published 64 pages. Also, an oculist could be viewed as a blacksmith for the eyes. Take a look at these 2 pictures: The first is, of course, the billboard in Clayton’s Gatsby. The next one adds a little Eliot to it: The eyes on the top are Eliot’s from the photograph on the cover of his The Complete Poems and Plays; and the book is The Waste Land.
The movie won Oscars for Best Costume Design (Theoni V. Aldredge) and Nelson Riddle’s Adapted Score. The Oscar for Best Original Score went to Nino Rota & Carmine Coppola for The Godfather Part II. Carmine’s son Francis Ford was busy in ’74. He directed & co-wrote The Godfather Part II’s screenplay; wrote & directed The Conversation; and adapted Gatsby’s screenplay after original writer Truman Capote was fired.
But I digress. We were discussing the score. An original score is original music which sets the film’s mood & drives the action. The soundtrack is some or all of the film’s music packaged for sale, via CD or download these days. The 1st soundtrack was a set of 78 RPM records of the music of the 1937 Disney classic Snow White and the Seven Dwarfs. An adapted score combines the 2: The score is presented as previously written music set to the action; sort of a performed soundtrack & hence not an original score. So what you’ll hear in the trailer below & the film when you stream it on Netflix is period music in Nelson Riddle’s great Adapted Score for Jack Clayton’s The Great Gatsby. 4 Stars!
That’s my buddy Bob ===> <=== who I’ve known since I was 10. We went to some 75 Jerry & Grateful Dead shows together. In ’07, he met controlling Priscilla & we thought we’d seen the last of him. That’s his sister Barb, who calls him Rob. She was crushed over his new relationship “She told me she treats him like a chalice: ‘A frail, delicate chalice, to be cherished & protected. Rob’s messy & Priscilla tends the house as no house has ever been tended. She’s so particular, if he leaves an article a half inch out of place or there’s a speck of dust on anything, she notices it; and I bet she flails the living daylights out of him & loves it.’ ‘Well I always say ′Spare the rod & you spoil the child.′.’ One day she asked him ‘Rob, why did you do it? Why Rob?’ ‘Because I love her.’ ‘But you had our love & gave it up. Wasn’t that more real than anything she had to give to you?’ ‘Maybe I love her most when she’s her meanest.’ ‘I’m thinkin’ of a woman called Jezebel who did evil in the sight of God.’; and he walked away. ‘Oh, don’t be cross with me, Rob. Of course, it’s your right to go with her.’ ‘I am gonna make her my wife!’ ‘Your wife? When?’ ‘Within a year!’ ′Punctuality is the politeness of kings.′, I always say. Well that didn’t happen. They broke up for a year within that year. But then in ’09, they got married. ′Better late than never.′ I always say. No friends got invited but I did get him to meet me for a drink: ‘Do you remember going to see Jerry with us, Bob?’ ‘Yes.’ ‘How much do you remember?’ ‘Every show we went to. Everything we ever said or did. But that’s passed now, Paulie. Done. Finished.’ ‘We don’t understand. You don’t have to leave her. You just have to come back home, back to all of us? You have to come back to the lazy gate of winter’s summer home. Sometimes you have to visit your country & live in your home, because this is your home; because you belong here! Nothing can change that. Bob, Listen: Can you hear them? The nuthatch noises?’ ‘Well Paulie, sometimes we ride on your horses, sometimes we walk alone. But the heart has its beaches, its homeland & songs of its own.’ Well I always say ′Let sleeping dogs lie.′ Good thing too because I got an interesting bit of news in 2011: Bob came back!
In William Wyler’s Jezebel, Preston’s (Henry Fonda) heart has a “song of its own” when he returns to Halcyon Plantation, outside NOLA in 1853 after a year in Boston. Her ex-fiancé Julie (Bette Davis), a strong & independent woman, has been waiting as patiently as she can to rekindle the engagement that Preston ended after her shocking behavior at NOLA’s Olympus Ball. Julie family has moved to their lazy country home as a result of a terrible outbreak of yellow fever.
I discovered something that I have been unable to find documented anywhere else. As such, I feel it is important to get it documented & therefore attain credit for its discovery before anyone else does; or worse, hears of the discovery & takes credit for it. Now, I find it amazing that what follows got by a director of Wyler’s magnitude but it did. So here it goes. At one point, Preston quotes Voltaire’s “I disagree with everything you say & I will defend to the death your right to say it”. The actual quote is “I disapprove of what you say, but I will defend to the death your right to say it”, and it is misattributed to Voltaire when actually written by Evelyn Beatrice Hall (pseudonym S.G. Tallentyre, an English writer best known for her biographies “The Life of Voltaire” from 1903 and “The Friends of Voltaire” from 1906, from which the quote is taken). What Voltaire actually said in defense of French philosopher Helvétius’ 1758 book criticizing religion & morality, On Mind, was “What a fuss about an omelette.” Why is that quote in this in the film? Why would Preston quote Voltaire? Or more properly misquote Voltaire 53 years before the quote ever existed? Because Voltaire was among the leaders of the Age of Enlightenment. That movement embodied the ideals of liberty, tolerance, freedom, separation of church & state, societal fraternity, reliance of scientific thinking & proof through experimentation, and the questioning of generally accepted religious conventions. And those ideals are exactly what gave rise to abolitionism.
Jezebel won 2 Oscars in 1939 at the 11th Academy Awards: Best Supporting Actress (Fay Baintner as Julie’s Aunt Belle); and Bette for Best Actress. On 7/19/01, Steven Spielberg purchased her Oscar at auction Christie’s, and returned it to the Academy. Jezebel was also nominated for Picture, Cinematography (Ernest Haller), and Max Steiner’s great Score.
Steiner was born on 5/10/1888 in Vienna & died of heart failure on 12/28/71 in CA. A child prodigy of rich Jewish parents, he wrote his first operetta at 15 years of age; went to Broadway at 26 for 15 years conducting musicals of George Gershwin, Jerome Kern & others. He was one of the 1st composers to write original music for movies. His 1st movie score was 1914’s The Bondman; his final, 1965’s Those Calloways. He composed almost 250 film scores & was nominated for 24 Oscars, winning 3. He scored: King Kong; The Caine Mutiny; and Dark Victory, Gone with the Wind, and 11 others in 1939 alone. He worked with Bette Davis 21 times, including William Wyler’s Jezebel. So watch the trailer below then add it to your Netflix Queue. 4 Stars!